A Killer Vesper
To a bar glass filled with cracked ice add:
3 oz. gin
1 oz. vodka
0.5 oz. Lillet blanc.
Stir, stir, stir with a bar spoon for a full minute. Strain into a chilled martini or large coupe glass. Some people prefer a champagne flute. Whatever. Garnish with a long zest of ruby red grapefruit peel. Now, go kick some ass like James Bond.
I had an excellent Vesper recently at Provisions, a restaurant that opened a couple of months ago and for which I wrote a piece for my gig at cityhomeCOLLECTIVE. Their barman Giancarlo Farina makes his with a lovely lemon dust. I went for a long sexy twirl of grapefruit zest to bring out the citrusy backbone of the gin, and to punch up the floral notes of the Lillet.
The story behind my drink:
Y’all. I got so much shit done last week: wrote three articles, took and edited photos for two of ‘em, finished butchering and making three kinds of sausage from our recent waterfowl hunt, and removed all lingering remains of Christmas from the household [there are still lights outside—it’s not redneck until after January 31, right?—but that’s The Macallan’s territory of domestic upkeep. Not touching it, or I’ll end up mowing grass and running the sprinkler system this Spring]. Feeling pretty good about kickin’ ass and taking names, for real. Then, my editor at another gig gave the big thumbs down to a shitload of photos I’d done for a story [she loved the story, just not the photos. FML.], and I started feeling all “woe is meeeee,” and my self-esteem plummeted, and y’all know what I’m talking about, right? I was questioning my professional abilities and considered bankrupting myself to buy a truckload of camera equipment and editing software and all kinds of other random-ass tech to get back in the game.
And then my ever-practical hubby pointed out the obvious to me, “You can’t do everything well.” WTF? Of course I can! Damn it, no, and gah! I hate when he’s right. I really can’t. No one can do everything perfectly, at least if they’re being honest with themselves. Truth: I love writing and am usually pretty damn good at nailing a story. I make delicious eats for my family and friends, and can throw together a fan-freaking-tastic cocktail, if I do say so myself. I’m an A+ mom, much of the time, and a supportive friend. And, yeah, I’m a hack photographer for the most part; if the object is sitting still and I control the lighting—like for food or drinks—I’m competent. But I suck at taking photos in the big frame: people, landscapes, interior spaces, the big picture. I just can’t seem to make it click [heh heh]. Now, The Macallan may have been pushing the self-reflection so that we could afford a bigger truck instead of bigger camera lenses [not putting it past him], but he made his point, and I’m back on the “go me!” bandwagon after a couple of hours of mood swings. Yes, this whole manic freak-out bit happened in the space of an afternoon.
So, I mixed up a full version [that’d be NOT a Utah-regulated 1.5 oz pour] of the Ian Fleming classic, a Vesper, to celebrate the kick-assedness of my week and my little bout of mental health growth. I even mixed it up with booze brands I’ve gotten to know really well after writing about them: Beehive Distilling’s Jack Rabbit Gin, and Sugar House Distilling vodka.* After all James Bond occasionally ran away from a fight he couldn’t win. In the meantime, I’ll work on the photography skills and stick to my budget [of course I bought one new lens. Sheesh, I don’t have that much willpower]. Fewer lenses in my book means more cash for better booze. Screw the bigger truck.
*No, neither of these brands paid me to write about their products. I just really like their stuff.